
Hamburg High School (Hamburg, Iowa c. 1929)

MK in Motion
Brown Junior High School (Hillsboro, Oregon c. 1989)
MK in Motion
Brown Junior High School (Hillsboro, Oregon c. 1989)
Adam Morrison, 6'8" G/F played his last game as a college player tonight. And it was a tough one. Quite amazing actually if you have UCLA in your Final Four. Morrison led the NCAA in scoring and has been compared to Larry Bird (obvious skin pigment and peach fuzz mustache not withstanding). The guy can shoot, handle and pass. But does the comparison really stick?
Luke Jackson, 6'7" G/F of the Cleveland Cavaliers occasionally makes the highlight reel by being on the same floor as LeBron James. At the University of Oregon, he was a superstar. He led the Ducks in scoring and rebounding and was constantly making the Sportscenter reel with his dunks and shots. Thought of so highly, he was taken number 10 overall in the 2004 NBA draft. Going from 21.2 points and 7.2 rebounds a game, to his career average in the pros of 2.7 points and 1 rebound a game. Bird, while at Indiana State, racked up TSN's Player of the Year, the Naismith Award, the Wooden Award, and with only 3 years of college play ended his career 5th in all time scoring. This doesn't even cover his pro career where he won the Rookie of the Year, the MVP 3 years in a row, and won 3 championships. You tell me, is Adam Morrison really the next Larry Bird or his he the next Luke Jackson?
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Originally titled War Pigs, the record company convinced Sabbath to change the name. They kept the cover of the acid trip cop in spandex with a sword and shield. That's their War Pig, the record company thought it would be interpretted as an anti war statement against the Vietnam War.
Blondie, Autoamerican (1980) & Plastic Letters (1978)
Sex Pistols, Never Mind The Bollocks, Here's The Sex Pistols (1977)
Miles Davis, Kind of Blue (1959)
Kind of Blue is not only one of the greatest jazz albums of all time, but it's also one of the most accessible albums for the non-jazz listener. John Coltrane plays sax, and Miles does something almost no one else could do...he makes trumpet sexy.
Lynyrd Skynyrd, Street Survivors (1977)
Most everyone knows about the plane crash that killed three members of Skynyrd. Street Surviviors was released within days of the tragedy. The original cover featured the band standing in flames, the record company and surviving members wisely changed it. I've included both. Incidentally rock lore has it that Aerosmith looked at buying the plane that went down but their manager passed on the deal. Aerosmith fired their manager because he didn't get them the plane.
Primus, Sailing the Seas of Cheese (1991)
Sailing the Seas of Cheese was recorded in Fantasy Studios in Berkeley, CA where I saw INXS play earlier this year.
AC/DC, Back in Black (1980)
Requested as a great album cover "because of what is not there."
Prince and the Revolution, Purple Rain (1984)
U2, Rattle and Hum (1988)
This album put Sun Studios back on the map. Requested because of the use of the silhouette.
But in all seriousness, Bolokai Ikonus T. T. The Mad Fishicist, wished for me to revisit an album cover I merely passed over in a previous post. I can't say enough about Johnny Cash's American Recordings. It relaunched the career of Johnny Cash and became a staple for MKinMotion and The Mad Fishicist. The 1994 album cover features "The Man in Black" with his two dogs. The names of the dogs are "Sin" and "Redemption" and Cash noted that neither is completely black or white. Pretty profound for a man who found both. The album that featured Johnny Cash with just a guitar and several cover tunes won the 1995 grammy for Best Contemporary Folk Album.
As always, comments, suggestions and questions can be sent to MKinMotion(at)gmail(dot)com. I've aquired enough questions to put together another Q & A post. So look forward to that and get your questions in. Please make sure to note if you wish to remain anonymous.
The Who, The Who By Numbers
By 1975, The Who were huge. Coming off of the success of rock operas Tommy and Quadrophenia, Pete Townsend composed a confessional. Alcoholism, lust, fame, self-loathing, and midlife crisis are the major themes of The Who By Numbers. The cover features cartoon charactures of the band ready for the listener to connect the dots and paint by numbers.
Elton John, Captain Fantastic and the Brown Dirt Cowboy
Believe it or not, a concept album. The concept? The struggles of Elton John and Bernie Taupin early on in their career together. If you don't already know, the two collaborate on songwriting. Elton writes the music and Bernie writes the words. I'm sure you can figure out who Captain Fantastic represents. Allegedly, the album's hit single "Someone Saved My Life Tonight" (again, one of the greatest songs ever) is about Elton's suicide attempt in 1969. John Lennon appears on the album to contribute guitar, but records under an alias. Captain Fantastic has a wonderful cover.
Pink Floyd, Wish You Were Here
Largely a tribute to former member Syd Barret (see 1968), Wish You Were Here was a five track album released in 1975. Syd Barrett showed up in the studio unannounced on the same day David Gilmour got married. He wasn't recognized by the band initially. He lent his voice for background vocals on "Shine On..." Featuring famous songs "Shine on You Crazy Diamond," "Have a Cigar," as well as the epic title track. The band wanted to release the album with a completely black cover with no writing; essentially an anonymous release. The record company balked at that and the burning man handshake concept was born.
Honorable Mentions for 1975:
Led Zeppelin, Physical Graffitti
Jackson Browne, Late for the Sky
Bob Dylan and The Band, The Basement Tapes
Tom Waits, Nighthawks at the Diner (Based on the Hopper Painting, Nighthawks)
Not only has the album cover been parodied, but the entire album was covered by George Benson a month after it's release. The album cover was parodied by not only Benson (The Other Side of Abbey Road), but The Red Hot Chili Peppers (The Abbey Road EP; yep just socks), Booker T and the M.G.'s covered songs from the album and mimicked the cover (McLemore Avenue; the street outside of Stax Records in Memphis) and even by McCarney himself (Paul is Live; note the VW).